Review of My Game "Yoyalma"

[This post was done to be taken as Homework 8 for the FSU Video Game Design class]

1) The Tetrad

Story

The story is about an Indian from America that is struggling in his village because the main cities where sending troops to take prisoners for sacrifice and indoctrinate everyone. He decides that he wants to escape and so he gets together with other members of the tribe to build a raft and escape. The scape goes without any troubles but soon everything turns grim as a storm swallows the refugees. You wake up stranded in an island as the last survivor. Your whole family is gone and everything is behind. You follow your instincts and try to survive but you soon learn that there is something inside the heart of the mountains. Writings on the wall tell the story of creation, the story of the god’s jealousy and anger, but also about their kindness and selflessness. Your will to survive and your curiosity move you forward, to uncover whatever lies beyond.

Technology

We are using Unreal Engine 4.9 to make the game, Blender to manipulate game assets and Audacity to create game sounds. Our game is meant to run on PC and is meant to be played with mouse and keyboard.

Art

The art is simplistic, trying to resemble the art from Mesoamerican Indians. Nobody in my team is an artist, so we are having a tough time doing that aspect of the game.

Gameplay

The game is meant to be a mixture between a survival game and an adventure game. There are some elements of survival mainly that you have an energy resource that gets depleted with your actions and replenished by consuming food. There are also elements of an adventure game in the sense that you have to explore the island to move forward in the game. There are obstacles that don’t let you proceed and you have to find ways to overcome those obstacles by using items in the game. The combat is very simple, the enemies will do two types of attacks: auto attacks that go off on a certain interval and that activate when the player is in range and special attacks that go off on a marked are that the player has to move out from.

2) Balance

We have to balance the damage that all of the monsters and weapons do. We also have to balance the challenges in the game so that they scale well level by level. Another thing about balance that we need to keep in mind is that we have to distribute the “moments” in our game evenly. We can’t concentrate all of the content in one single level.

3) Emergent properties

There isn’t any customization of the character in the game so there won’t be anything about the character that the player can tweak it in any way. There is a possibility of emergent uses of the items that we place in the game, or ways to progress faster than we usually expected. But that is unlikely, since we don’t have many elements in the game there isn’t much the player can get away with.

4) Interest curves

The game starts with a basic tutorial moment. The player will hear the main character say that they need food to survive, the player will be standing in front of a crab and a message will tell the player to press the left mouse button to attack. This will get the player to kill the crab and get meat which he will use to survive. The next moments consists on a bunch of encounters with crabs and the first instruction to the power inside the mountain as a scream and a red screen. To complete the first level the player must get to a cave and retrieve the fungus so that he can cure the poison from the plants in the forest ahead.

We are aiming to peak the players interest at the moment of the scream. We are hoping that this will make the player interested in what is going on in the island. Then we are also hoping that the player will try to venture forward into the forest, to find that there are poisonous plants inside the forest. Then they will fall back and look around for clues and eventually find the fungus. We hope that the player feels engaged as he discovers this and feels the need to move forward.

The jungle will go on for a little while with just sound effects and trees. After a couple of seconds of walking the player will hear a roaring noise. If he goes further he will be attacked by pumas. This enemies will be particularly strong.

To proceed to the next part of the mountain the player will have to move a couple of big rocks. The last boss will be a god that is raging inside the mountain. The player will only have to dodge the attacks of the god until he eventually runs out of fury.

5) Explain the reasons you like or dislike the game and relate this to Game Design issues. 

I’m going to talk about the issues that I found in our process of design, since the game is not don’t I don’t have much to say in these category so I think elaborating in our issues on the process of making the game will be more worth it. I think that the main problem we had as a group is that we got too caught up thinking about what “type” of game we were going to create and which general “mechanics” we were going to have in our game instead of focusing on exactly the game we were going to create. We went on and on about the story and the general theme that we were going for, but we never sat down and actually try to go and create a level from start to finish in our heads. I think this was primarily because we had never worked on a videogame before and so we got caught up on all of the terminology and we painted the pictures with strokes that were just too broad for us to execute at the end. If we had just sat down and actually try to create, in our heads, how this videogame would have played out we would have been way better off. We are struggling to try to finish what we set up to do and I think that we had learned a lot though out this process. This has been a great learning experience that has given me an opportunity to really dedicate time to these passion of mine, with a real team of people that are as passionate as I am. The knowledge that I’ve gained will surely make my next game a way easier task.  

Game Repository

[This post was done to be taken as Homework 7 for the FSU Video Game Design class]

https://github.com/heller166/TrialThirdPerson2

For next week I will work in AI and in fixing some problems with the blueprints that came up when we merged the projects.

Videogame Thoughts

Wildstar

1) The Tetrad

Story:

The story of Wildstar develops around two intergalactic civilizations, the Dominions and the Exiles. The Dominions are an empire that conquered the galaxy with by destroying and subjugating civilizations. As a result they created multiple enemies throughout the galaxy, a couple of these races banded together and created the Exiles, to protect their people and fight the Dominion. One of the Exiles explorers, Dorian Walker, happened to discover a planet called Nexus, habited by the super advanced Eldan that disappeared from the galaxy long ago. This naturally made both sides very interested in this planet, and so both the Domions and the Exiles set course towards Nexus, to conquered at make it their own. That’s where you come in. You are another citizen from the faction of your choosing and you must fight for your people and uncover the secrets of Nexus.

Technology:

The game runs in PC and was created using an engine created by the game creators.

Art:

The art is very quirky and but it is also very cool. It has a very holistic aesthetic, in the sense that the whole game follows a very consistent theme that gives it its own character. The music is fantastic and all of the sound effects are pretty amazing. The game in super high resolution looks great, but sadly the constant server lag makes it a little bit difficult to play with high settings because it adds to the frame rate issues and so I usually run it on low graphics. But never the less, the graphic designers at Carbine Studios know what they are doing. They used an art stilly that could accommodate the cute and corny on one hand and the awesome and menacing on the other one. This widens the player base as you can now attract customers that want one or the other. Another great thing that they made concerning art is that they created a housing system that works much like Unreal. In game you can acquire décor items to put on your property and these items can be scaled and placed where ever the player desires.

Mechanics:

Because this game is an MMORPG it has tons of mechanics, but I they can be divided into groups. For example the game has combat mechanics. You have a total of 30 abilities off which you can use a limited action set off 8 abilities. There is also a stat granting graph on which you can select a limited amount of nods to infuse your character with new powers. You can change this options around to create your own custom build that fits your playstyle. There are also social mechanics, to encourage and facilitate the interactions between players. These consists mainly on incentives and barriers that can only be earned and overcome when you find and train with a group of your own. The game has also crafting mechanics, market mechanics, and other mechanics that create the illusion of a vibrant world with infinite possibilities.

2) Balance

A game like this requires balance mainly in two very important aspects of the game, combat and resources. The combat is the main gameplay mechanic, so it has to be balanced so that it feels satisfying but most importantly fair. An unfair combat system, where one class is the king of all kings, makes for an frustrating experience. This is a problem that affects the more dedicated part of the community, but I think that this is one of the most important demographics, as they are the ones that live for and promote your game. And so it is very important that all classes feel equally powerful and that the game becomes a exercise of strategic skill and not just an unfair number check.

The other main component that need constant balancing is the resource economy. Players need resources to advance in the game and so MMO designers have to keep in mind that resources need to be challenging to acquire but not to the point of being frustrating. Another important thing is that the designers need to create different ways to get this materials. There can just be one way of getting the materials to advance or every single person is just going to do that and they are going to get bored pretty quickly. You need to spread this resources throughout the content that you think is fun and that is going to engage your player base, so they can feel like they are having fun as they progress.

3) Emergent properties

This game has tons of emergent properties, again because it is an MMORPG. The greatest source of emergent properties is combat. Even though Wildstar combat is not one of the most complicated ones, it is still complicated enough to make is very difficult for designers to imagine every single combination possible. That is mainly because, apart from the previously mentioned abilities that you can chose from, there are a many stats that can be tweaked to create different combinations. Although this is a something brings great work to designers it is ultimately very engaging for players. The most dedicated players enjoy discovering overpowered combinations that are viable until the designers discover it. It creates a very interesting dynamic between players and designers.

4) Interest curves

The game can be played many different ways that have totally different outcomes, but I can retail what I found to be the interest curves in my experience playing the game. First there is the discovery phase. This is the part where everything is new and you are learning all of the different systems and getting a feel for the game. This is one of the most exciting stages as you find yourself always wanting to get back to discover something new in the game. Then you start leveling and it all slows down a bit. You find yourself going around and turning quest, enjoy the music and the aesthetics, but in a more passive way as you make your way to higher levels. When you reach level 15 you can start doing group content with other people. This is the part where the game starts to get hard. Group content on Wildstar requires coordination and so this part can be either frustrating or engaging. I found it to be very fun, it encouraged to learn more about the game and the systems that were behind combat and the monster encounters. This is another pike in the interest curve and you start to really commit to the game. Then when you start to get a hang of the group content is starts to become more second nature and you start to teach other people that come with you to the group content what you learned when you completed it. After that you start to reach level 35 you start getting story quests that have a lot of interesting lore in them. This is when you start learning more about the secrets of Nexus. This quests are another pike as they are engaging with a lot of cinematics and voice acting. After this you reach level 50, which is the max level. At this level you do the hardest content in the whole game. I haven’t done it yet so I can’t say but it takes a lot of work and practice to get to that content.

5) Explain the reasons you like or dislike the game and relate this to Game Design issues.
 I like this game because it is very engaging. The combat is complicated but simple and there is a lot of hand eye coordination skill involved. Also the social aspect is very fun. You find yourself always talking to 10 people at once trying to coordinate to kill a boss or do an adventure. It’s a really big challenge to reach the hardest content in the game, that challenge is what keeps me going personally. The reason why I don’t like this game is that is not very well supported. Their launch was a great success but the player base declined to almost 0 I the months after it launched. Now they relaunched on a free to play model, and up to now they have been pretty successful. I hope that they get more support so they can create more content and fix the technical issues that ruin the immersion in the game.

Darkest Dungeon

1) The Tetrad

Story:

The story is about a noble with a lot of money that because he was bored with all of the partying he had to endure he decided that it was a good idea to instead focus on investigating ancient secrets underneath his mansion. He blows through his savings trying to reach this arcane power just to find out that it was a dark power that could destroy them all. He runs from the mansion and writes you a letter as the last heir to the state telling you to please clean up his mess right before he kills himself. So now you have to manage what resources you have left and send out heroes to fight for you and reclaim your lands.

Technology:

The game runs on PC and was created with a custom engine. 

Art:

The art style is very grim and it adds to the gameplay experience in a great way. The game is mainly about the tolls that dungeon crawling have on heroes and so the art delivers that on that experience. The music is calm but spooky and everything from the footsteps to the light twiddling makes it feel like you are really alone in a dungeon filled with monsters.

Mechanics:

On the core this game is mainly a turn base RPG, but it has many nifty mechanics that add very much to the gameplay experience. For example, every hero has a stress meter that goes up as they walk, if they get hit very hard, or with other procs from monsters. When this meter reaches 200 the character gets a resolve check. If he rolls positive then he becomes inspired and fights on, granting the rest of the party benefits for the fight. If he rolls negative then he becomes insane and brings the party down with him.  

2) Balance

There are many different levels of encounters and heroes, so they have to be tweaked appropriately for it to be fair. Personally, I’ve played the game since it got out and it has become much easier than then. But in the end you have to balance for the regular player so that more people play your game. There are also many different classes in the game and these need to be balance to keep the player interested. If there is one simple answer for what is the best combination to beat the game then you need to balance the classes more, to encourage your player base to try all of the content that you have created.

3) Emergent properties

The game doesn’t have many emergent properties. There is an item system on top of the class system which adds another layer of depth to the game’s combat. This item list is not that extensive and so most probably the designers have most of the combinations figured out, but there is still plenty to choose from. There are tons of ways to mix and match the different characters that you have, which is the main source of strategic play in this game.

4) Interest curves

The game starts off with a peak as it introduces you to the game in the form of a cinematic. Then you reach a valley as you are learning the ropes and getting to know the mechanics. In my opinion there is another peak every time you fight a different boss for the first time. After you beat the bosses the first time you just need to plan your expeditions well and its smooth sailing from there. The fact that bosses just increase their stats as you fight stronger versions off them is a little bit disappointing. Clearing the same boss you cleared the first time but being easier now because you know how to play is not a very good way to challenge and keep the player interested. And so the game losses a lot of its edge after that and land into a valley.

5) Explain the reasons you like or dislike the game and relate this to Game Design issues. 

This game is initially great. The whole introduction and first set of bosses are very exciting and nerve wrecking. This is the part that I liked the most. After this first set of bosses though, the game starts to slow down. It becomes a little bit grindy as you are getting to the second set of bosses, but when you eventually get there and find out that it is easier than the last one, well it just ruins the whole feel of the game. Another thing is that the game isn’t finished, so even if you drag yourself to completing the same bosses three time there is no goal at the end. Overall I think that my main concern is that the game became too easy at the end. If they made it so that I could choose from a set of difficulty level that I want to start my campaign at would be great. 

Item Blueprint Functionality

[This post was done to be taken as Homework 5 for the FSU Video Game Design class]

This post serves as a showcase and description of the main blueprint for in-game items that makes up the inventory system in our game. The following text will consist on a brief overview of the function of the blueprint as well as a more detailed description of its content. To start of let me clear out that I simply applied what I learned from an Unreal Engine Tutorial (link at the end), so I will be explaining it in detail in my own words to proof that I have learned the material and not just simply copied it. I will encourage anyone to look at this tutorial as well as other tutorials offered at Unreal’s Youtube page, they are very comprehensive. With that said let us start with the overview.

The blueprint system that I’m showcasing here is meant to provide the functionality to items in our game. The blueprint spawns a text on top of the item as the player get in range and this text follows the player around as he moves [Image 1]. The blueprint also enables the item to be picked up and stored in the inventory [Image 2]. And finally, it gives functionality to the item as it sets the different status modifiers triggered when it is used. This blueprint is made in such a way so that it serves as a template for all other objects that are going to be in the game. So we won’t have to make mayor alterations to the blueprint to include different items that do different things. Just to make this clear one more time, there are many blueprint that interact with each other to make up the inventory system, we will only get into the blueprint that directly controls the mesh object’s behavior.

Image 1 "It moves!!"

Image 2 "There it is in our inventory!"

Now that we have gotten the main function of the blueprint out of the way let’s talk about the contents. Let’s start with the first event that will run in this blueprint, the “Event BeginPlay” [Image 3]. The “Event BeginPlay” activates when the game starts and right after that the nod “Create Pickup Text Widget” follows, enabling the pickup text widget to appear in the game. This is then stored in a variable called “Pickup Text Reference” so we can change the two different values that affect our pickup text, the item under it and the text that need to be displayed. To do that we need to set the variables in the “Item Info” to the specific ones for each item each item. So we use the nod “Set members in Inventory Struct” to set the elements of the structure “Item Info” to their respective values. To call on these different elements we need to use the nod “Break InventoryStruct” to get the different values that this structure contains. Then we need to set those values to variables that will be then used by the “Pickup Text Reference” to display the right text on top of the right actor. After that we basically create a variable that references our character blueprint called “Character Reference” so we can reference the event in which the player picks up and item called “PickupItem Event”. All of this is done in an effort to make the name that appears on top of the items, as well as the other elements that make it unique, editable so that we don’t have to create a specific blueprint for each item that has a different name in the game.

Image 3 "Event Begin Play"

The second main event that interacts with our Blueprint is the event “PickupItem” [Image 4] which triggers every time we pick up an item. As this event happens a condition has to be met for the Blueprint to go on. The “Branch” nod works as an “if…else” statement that we can set to true if some condition is met. In this case we want this condition to be if player is in range (variable added from next step) and if the collision in the actor is enabled (i.e. if the item is not hidden) then continue the Blueprint, else do nothing. If the blueprint continues then it will add our item to the inventory menu which is in our “Survive HUD”, the UI blueprint. Then we remove the text from the top of the item with the “Remove from Parent” nod, hide the item from the game with the “Set Actor Hidden in Game” node, we use the “Set Actor Enable Collision” to disable the collision and finally we call the function “Refresh Inventory” from our “Survive HUD” which is a blueprint that adjusts our inventory to the new items.

Image 4 "Pickup item and add to inventory"

The events that add and remove the pickup text to the Viewport are the “OnComponentBeginOverlap” and “OnComponentEndOverlap” [Image 5] which are referencing a trigger box around our object. We use the “Cast To MyCharacter” nod so that the event doesn’t fire up when other actors collision with the trigger. Then we simply use the nod “AddToViewport” when “OnComponentBeginOverlap” triggers and “Remove from Parent” when “OnComponentEndOverlap” triggers. We set the target of both of those new nods to the “Pickup Text Reference” so that they remove and add the pickup text from our Viewport. After that we just set the variable “IsinRange” depending if the collision is happening or not so that we can reference is like we did on the previous event.

Image 5 "Pickup text trigger"

This next part of the blueprint is the part that controls the different functions that the item has in the game such as the health and energy it increases. When the event “Use Action” is called, which triggers when the player uses the item, the health, energy and heart rate values of our character get edited. So we get a reference to our character by using on the “Character Reference” variable and then use our variables for “Add Health”, “Add Energy” and “Add Heart Rate” to modify our current status values. We get the current value of all the statuses from the “Character Reference” variable then we add our modifiers and finally we set the max value for our modified statuses to 1 (or 100%) so we don’t go higher than that. After all of this is done we destroy the actor from our game with the nod “Destroy Actor”.

Image 6 "Item Functionality"

The final part of the blueprint is the one that lets us edit our different variables for the item mesh, the item pickup text, the item use text, the health value, energy value and basically all we need to make that item unique. The construction script is fired every time any changes happen with the blueprint. So what we do is that we use the “Set members in InventoryStruct” nod to set the values for the structure called “Item info” which will give the unique values for each item. Doing this in our construction script lets us access this variables from the details panel, which saves us a ton of time when working with a lot of items.

Image 7 "Construction Script"

So that is it for this description. Keep in mind that I’m not an expert so I may have missed something. Also this is a work in progress and I still need to work out a few bugs. And finally remember that this a component of the set that form our inventory system so you might not be able to create this same item with the images and descriptions that I have provided. Please if you want to do this successfully then refer to the link at the end for the post.

Link to video playlist: https://www.youtube.com/playlist?list=PLZlv_N0_O1gZalvQWYs8sc7RP_-8eSr3i

Advancement Video

Here is our Team Video number one presenting the development stage at this point. 

Meeting Monday September 28th

Last Monday my team and I had a meeting in which we discussed our progress, worked on a video presentation for the game and settled on goals for next week. I presented the inventory system that I had been working on. The inventory consists on a blueprint actor that interacts with elements in the HUD to create and save variables for storage and inventory organization. The inventory slides to the side when 'i' is pressed and a drop down menu lets you interact with the item. The goal was to create a system that could create templates for all items in the game. I will give a more detailed explanation in my Homework 5. Jon expanded on his model of the level by adding palm trees and other elements and Kaleb showcased his work with attack animations.

Meeting Monday September 22th

On Monday my team and I had a meeting in which we discussed the current state of our game and what we are going to focus on as we move forward. Since the story is pretty much established I started exploring the Unreal Blueprint system to create the game logic. From information that I took from different tutorials I created the Blueprints for a character from scratch and added some functionality to different objects. I also started developing the user interface for displaying the health and energy of the character as well as the logic behind the inventory and item pick up.

During the meeting Jon presented the level layout that he has been working on in unreal. He made a big green mountain, started to play with the water and lava textures and made a preliminary sketch of how the world is going to be organized. We also discussed new mechanic that could add survival aspect of the game, to me survival experience more real.

Meeting Monday September 14th

Today my group and I had another meeting at Dirac. We discussed the story further and also planned the level layout. As I'm in charge of the story I presented my draft of the game introduction to my group and the new route I was taking in regards to the theme of the game. I thought that Greek mythology was not a good theme for the game because it didn't fit with the fact that we were trying to make a game where the main character was the member of a tribe, my team agreed with me.

We also talked about the layout of the level. We landed on an island that had a big mountain in the middle. The first "stage" would take place on the beach, then you would move up to the forest and then you would get to the fiery top. We discussed which game play elements could appear in each zone and we discussed the way a player would progress through the game. Here I attach a photo of the general sketch that we did.

The crook and the stairway

This is the story for the video game that we are making during the video game class

James Johnson, a multimillionaire crook that rose to the top by doing nothing other stepping over everyone without hesitation. He has it all apparently, the big house, the fast cars and the exciting parties. He thought that he had done everything right. To show off all of his success he organized a party in his new transatlantic yacht. He invited everyone he knew to show the expensive food, drink and entertainment his lies and exploitation had gotten him. He ordered the boat to be taken to open sea so that they could be as loud as they wanted. But in midst of all the alcohol, fun and euphoria the Captain got drowsy with his man and the boat lost its course and stumbled into a great big storm. Everyone flew through the air as ten meter waves reeled the vessel. Everyone drowned swallowed by the raging ocean. “I wish I had been that lucky” thought James, as he sat in the tiny island where he had ended up in. He was the only sad survivor. All alone surrounded by nothing but a palm and some sand. Angry and frustrated James screamed to the heavens, “God, why have I been forsaken in this lost piece of land!” Then God answered, “You were never kind nor honest, you never worked hard or helped your fellow man, why should I show mercy to such an awful man”. James’ expression dropped from a furious grin to a face of fear and desperation. While sobbing like a baby he supplicated “I’m sorry god! I’m sorry! I’ll do anything to prove to you that I’m not a bad man”. Then god said, “Then you shall show your determination by climbing your way through heaven”. Then God’s voice and the light in the sky suddenly disappeared and a hole in the clouds open right above James. Hundreds of platforms then formed out of thin air and arranged like a stairways that reached the sky. 

Source: https://aprendelapalabra.files.wordpress.com/2014/11/naufrago1.jpg

First team meeting

On Thursday, September 3th my teammates, Jon Woods, Kaleb Dall,Yao Linhui, and I had our first meeting. Our goal was to get to know each other and talk about what type of game we want to create. We used the questions of our second video game class assignment to guide our discussion. We started by deciding on what type of game we would be creating. We threw around ideas until we landed on a survival type game that encouraged exploration and discovery. We had a very lengthy and productive discussion in which everyone had an opportunity to state their ideas on what the game should consist of. We also set preliminary roles related to the design of the game. This was done to focus everyone's efforts so that we start working on the game individually as soon as possible. Overall the meeting was a success and I'm very exited to embark on this new adventure - I feel that I'm well accompanied.

Test Video

Favorite Video Games

I think that my two favorite games would be Rogue Legacy and Hot Line Miami.

Hot Line Miami is an action game that imitates arcade style and brings us lots of disturbing fun. The game focuses on a probably crazy/drug addicted protagonist that takes orders from his phone to go to Russian mafia hideouts and eliminated every living thing on the building. You move around picking up weapons that others have left behind and then you can either go on a crazy rampage or try to meticulously kill each guard. The crazy dreams of the schizophrenic protagonist will keep you interested as you slash your way through loads of mafia guys, its lots of fun.

The simplicity of game is also interesting. The fact that you can make simple AI and simple assets while still creating a great experience is one of the things that keeps me optimistic about dedicating myself to create a game with little or no budget. I think this game is a great example of one great truth about game design, expensive assets don't make a game, good design does. 

There are two lessons that I can take out of the game. First, keeping a constant theme is important for creating an immersive experience. All the way from the music to the clothing of the characters, I think the designers of Hot Line Miami nailed the 1980 crazy, drug filled vibe. Secondly, making gameplay mechanically simple but with a lot of different flavors makes your game accessible while keeping it interesting. Hot Line Miami's actions are simple, pick up weapon and use weapon, but the the wide variety of weapons styles provides many different exiting ways to play the game. 

Rogue Legacy very similar to Hot Line Miami in many ways: they are both action packed, they both require you to repeat the content until you master it, and they are both low budget games. The main difference between Rogue Legacy and Hotline Miami is the theme. Rogue Legacy has a western fantasy theme and is heavily inspired by the old very had rogue-like games (as the name implies). The game is a platformer were you control a family line of knights trying to cut their way into a cursed tower.

The game creates a balance between the need for progression and skill by making all attacks from enemies dodge-able but also gives you the opportunity to powering up your character to increase your abilities and therefore making the challenges easier. You can probably win the game with the character you start with, but that would be too hard and it would require an incredible amount of time. You can customize your character in a number of ways: increasing their stats, giving them spells and abilities and increasing their mobility. The customization of your mobility is a very interesting aspect of the game, as you can go for a build with a quadruple jump, triple dash, four second levitation or just the more balanced double jump, dash, levitation, sprint and haste. This, coupled with the different classes like mage and rogue, makes the game very good at fitting different play styles.

The game is not that long content-wise, but the difficulty makes you spend a substantial amount of time playing before you can get to the end. The levels are randomly put together from a series of pre-designed blocks . This keeps the game fresh as the hours pile on, but it can still feel tedious as you are grinding through the monsters to get enough gold for your next upgrade. But if you like a challenging game that rewards you for trying over and over to get a handle on the controls and become a real master, then you might just like Rogue Legacy. 

Gimp created images

This images consists of a bunch of 

frogs hypnotized by the evil eye

This image pictures many kitties raining

 from the sky (just cats 'cause I like dogs)